That’s the story of the second half of Tremaine – a glut of tracks that aren’t necessarily bad, but don’t live up to their potential. “Priceless” and “What Are We Here For” aren’t as cringeworthy, but wind up being little more than forgettable pop tracks. “Animal” is filled with predictable Tarzan and Jane metaphors, with Pulitzer-Prize winning lines like “I go ape on the donkey” while he brags about throwing his banana around. Trey’s not about drama, he’s about romance – a fact he emphasizes on the second half of the track, where his aching vocals depict a girl clawing his back like Wolverine as the ultimate sensual experience.īut Trey hasn’t totally abandoned his party ways, and unfortunately the album stumbles when he slips back into old habits. “The Sheets … Still,” take the concept further, with Trey outright saying “this ain’t a ‘all up in your phone trying to see what’s going on’ love song.” No more smartphones, dumb ish, apparently. Trey laments the fact that he’s “still kissing girls I don’t love, still stumbling out of the clubs” on the latter. “#1Fan” and “Playboy” almost make Trey sound like a changed man. “The Prelude” really helps set the tone of the album – it’s the same Trey fans know, bragging about sweating weaves out and whatnot, but with a new sultry tone, one that bleeds directly into the first proper song, “Come Over.” Sounding like a cut from a mid-90s playlist, Trey croons apologetic lyrics over a sultry backdrop. While Trey doesn’t totally go Aaron Neville on us, he forgoes his usual debauchery for a more soulful sound – ironically, the same sound he cut his teeth on more than a decade ago. Maybe that’s why Trey’s Trigga persona takes a back seat on this musical journey, instead letting the more mature Tremaine take the wheel. As we discussed on a recent edition of the YouKnowIGotSoulInStereo podcast, Trey finds himself at an awkward stage – still too young to be boxed into urban adult contemporary radio playlists, but way too old to be singing about pouring liquor on strippers in the club. When an artist as vocal as Trey starts playing the shy guy ( word to Diana King), red flags start flying. Mainly because it seemed that Trey himself was skeptical.ĭespite tons of press about his new reality show and the launching of his next tour this summer, Trigga’s been relatively mum about this album outside of a couple Instagram posts and quietly released singles. 4.Although I go into every new album with an open mind – as any halfway decent music reviewer should – I must admit I was a bit skeptical of Trey Songz’s seventh solo LP.
Trey songz tremaine lyrics full#
The album debuted on the US Billboard 200 at position 20 and was an album that was full of promise. The album’s standout tracks are “Gotta Make It,” which features Twista, and “Gotta Go,” which is the fourth track on the album. Though he was quite young in terms of his musical career, the album is a great listen with songs that are filled with so much passion. The number five album in our ranking of the greatest Trey Songz albums is his debut album, I Gotta Make It.
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Although we can see Trey Songz’s vocal prowess in most of the tracks, the album offers nothing new. The album features guest appearances from Swae Lee, Davido, and Ty Dolla $ign. In the album, Trey Songz focuses on life at home which has kept the album grounded to the current things going on in his life without much regard for his past. In this album, Trey Songz goes back to the R&B basics with quality production and impressive vocals with ballad-like songs. Back HomeĪt number six is Trey Songz’s eighth studio album, Back Home. The album debuted at number one on the US Billboard 200 Chart and sold 135,000 copies during its first week. Overall, Chapter V proves to be a pretty cohesive record, and the fact that Trey Songz decided to stick with Troy Taylor as the producer helps matters. You can also check out “Simply Amazing,” which is a song that every woman would like dedicated to them.
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Other great songs that you can check out in the album include “Hail Mary,” which features Lil Wayne and Young Jeezy. The track has catchy lyrics that see Trey Songz pour his heart into the emotive chorus. One of the best songs in the album is “Heart Attack,” which is a top-notch song in terms of production and performance.
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The track sees Trey Songz wooing women in one minute and then referring to them as bitches in the next minute.
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The sixth track in the album, “2 Reasons,” is like a cringe remake of “Say Aah,” but he has featured T.I this time. The album’s intro is the track “Chapter V,” which is similar in style to “Neighbors Know My Name” and kicks off the album in high gear. Most of Trey Songz’s albums seem to read from a similar script, and Chapter V doesn’t tread too far from his past albums either.